Sunday 19 September 2010

The First Press Release



57 sleeps









Bruce Springsteen
 August 4th 2010
FOR IMMEDIATE RELEASE

Statement About "The Promise: The Making of Darkness On The Edge Of Town"


Bruce Springsteen, Jon Landau Management, and Columbia Records are working on completing a new package related to 'Darkness on the Edge of Town,' which will include the new Thom Zimny film "The Promise: The Making of Darkness On The Edge Of Town." Further details will be announced when they are finalized.

"The Promise: The Making of Darkness On The Edge Of Town" will premier September 14 at the Toronto International Film Festival
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So this is the earliest official announcement I can find.  


On the same day Totonto International Film festival  announce they are going to premier the documentary on 14th September 2010


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The Promise: The Making of Darkness on the Edge of Town takes us into the studio with Bruce Springsteen & the E Street Band for the recording of their pivotal album. Grammy Award® and Emmy Award®-winning filmmaker Thom Zimny has gained access to extensive, never-before-seen footage shot between 1976 and 1978, capturing home rehearsals and recording sessions that allow us to hear songs in their earliest stages. For those uninitiated to Springsteen, the film unlocks the door to a rich musical world. For fans, it’s a trip to paradise.

New interviews with Springsteen and the band – who all recall the period in rich, vivid detail – bring fresh perspective to the archival footage. Prior to recording Darkness, the band had experienced a worldwide hit with the album Born to Run, which was musically influenced by Phil Spector’s Wall of Sound production technique. Everyone, including fellow band members, expected Springsteen to follow that seminal celebration of youth with something similar, but Springsteen became enmeshed in a lawsuit with former management that halted recording for two years. By the time the case was settled, Springsteen – now teamed with new producer Jon Landau – had found fresh storytelling inspiration in country and western icons like Hank Williams, while also gravitating towards the new, stripped-down sounds of punk. In songs like “Factory” and “Racing in the Street,” he explored new themes about reckoning with the adult world and the compromises it demanded.

For the Darkness album, Springsteen filled notebooks with lyrics for more than seventy songs. The period was so fertile that his unused ideas turned into winning singles for Patti Smith (“Because the Night”) and The Pointer Sisters (“Fire”).

Centering on Springsteen’s creativity and the challenges that he and the band overcame, this rock and roll drama reveals the camaraderie of a band wholly dedicated to their music. Cinematic imagery has always been prominent in Springsteen’s songs; now he comes full circle as the centrepiece of this enormously enjoyable film.

Thom Powers

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